Living in Saigon, street scenes are usually busy, chaotic, and have a million things going on everywhere, all at the same time. It’s sensory overload sometimes even after a decade of living here. Shooting these scenes, it’s often easy to fall into the trap of trying to capture everything all in the same frame. We see so many interesting things and we snap away. But most of the time, the result is an image with about forty bajillion competing elements and the viewer is left wondering what the subject of the scene is. It’s like drinking out of a firehose. Not great. That said, there are many ways to avoid this, but one of my favourite ways is letting light guide my compositions, and my viewers’ eyes, to a clear subject. It’s a fun way to cut out some of the clutter and refine and focus your images when the scene is otherwise filled to the brim with everything….all at the same time. Look for little pools of light…and wait for it. Have a look around, anticipate interesting things happening in the light before you. Let light create shapes and guide your framing. No leading lines? Use a shaft of light to guide those eyes. Messy background? Drop down that exposure and shoot for the highlights. Put that messy background in shadows so it’s not distracting. And always remember, you don’t need to tell everything in one image. Create a series that’s interesting and tells a story through vignettes….kinda like those little pool of lights you stalked when you were shooting.

For all the folks interested in what gear I use, these were all shot on an old Fuji x100s. Yeah. the S. Nothing fancy. Just chasing the light.

What other little tricks can you think of to make otherwise hectic compositions cleaner and more compelling? Leave a comment below. Let’s see all those little things you’ve learned!