I booked a flight to Zurich to meet up with family and did absolutely zero research on really anything. I pretty much outlined the last meet up with the family and this time they had taken care of most of the planning, so I figured I’d let the places just kind reveal themselves to me. My first time to Switzerland, I had only the stereotypes and I was sure there was more to it than visions of cowbells, Alpine chalets and expensive watches. That said, I didn’t expect to find some grittiness in the cities. I should have known there will always be areas where the misfits, the strange, and fringes go. Leave it to me to stumble into these areas without realising it. I basically chose my hotel based on its decent proximity to the train station and it ended up right on the edge of the red light district. Needless to say, it’s a bit of a departure from the quaintness of the old part of the city. Aimlessly wandering, I popped into Old Love Tattoo shop to check it out and ended up hanging out with a few of those guys on the street just watching the endless stream of amusement on Langstrasse. Side note, go check out Bug Nasty aka Marlon Muralles’ work. He’s actually in LA right now for you folks back in the States. Go tell him I said whats up. Anyways, even though it was filled with all kinds of sketchiness, I never felt unsafe. The American in me experienced a bit of cognitive dissonance in that places like this in the States necessitate your head being on a swivel for sketchballs and people trying to jack you. This didn’t feel like that. It’s this juxtaposition that I love seeing anywhere I travel to…The swirling mixture of modernity and tradition, clean and grit, new and old. It’s where all the interesting stuff lives.

For the photographers, I shot all of these on my trusty Fuji X100V. I took along the tele conversion lens to give me a 50mm equivalent, so I guess I cheated the system a bit on the whole fixed lens camera game. This little set up is so light and easy to run and gun with it makes me wonder how I ever traveled with the bigger, heavier set up. Yeah, the files may be better on the other camera and I may have been able to shoot some things that the smaller setup’s limitations prevented, but, you know, who cares. I’m not trying to be a pack mule and lug around a ton of gear and end up looking like Quasimoto hunched over shuffling around. Maybe I’m lazy….maybe I have it figured out. Maybe neither, but here we are, and I’m not mad at the images, so I’m going to keep it going this way. After all, if “F8 and be there” is good enough for Arthur Fellig aka Weegee (if your’e not familiar, it’s time you get acquainted) then its good enough for me.