Living in Saigon, street scenes are usually busy, chaotic, and have a million things going on everywhere, all at the same time. It’s sensory overload sometimes even after a decade of living here. Shooting these scenes, it’s often easy to fall into the trap of trying to capture everything all in the same frame. We see so many interesting things and we snap away. But most of the time, the result is an image with about forty bajillion competing elements and the viewer is left wondering what the subject of the scene is. It’s like drinking out of a firehose. Not great. That said, there are many ways to avoid this, but one of my favourite ways is letting light guide my compositions, and my viewers’ eyes, to a clear subject. It’s a fun way to cut out some of the clutter and refine and focus your images when the scene is otherwise filled to the brim with everything….all at the same time.